I have been spending a lot of time creating patterns from cut-work into different qualities of papers
and fabrics. Previously, I have felt that my work is most suitable for the context embellished fabrics for fashion, though thinking about my work up to now, I now feel that my work may be suited across a diverse range of contexts, as the pattern is adaptable for different spaces, both fashion and installation.
Working upon scale, I found myself experimenting with a fellow students' wall projection, shining my layers of cut-work upon the walls of the art school, looking at the different sizes and formations of the shapes produced, as well as the way that passing students reacted to the space. All were interested as to where the patterns were coming from, as well as the difference of scale between my original pieces of work, and those produced upon the walls.
Loop pH, ran by designer Rachel Wingfield, specialises in the construction of lightweight architectural sculptures, suited for large outdoor spaces. Their aim is to create 'visionary experiences and environments that can act as an interface between the familiar and the unknown' as well as creating public involvement with their pieces. The brand intend for their sculptures to be explored, touched and handled as a way of interaction through a space. Seeing the work of Loop pH, I have realised that I should expand upon my original contextual research, and look into larger scale pieces suitable for installation, diversifying my work toward different contexts.
and fabrics. Previously, I have felt that my work is most suitable for the context embellished fabrics for fashion, though thinking about my work up to now, I now feel that my work may be suited across a diverse range of contexts, as the pattern is adaptable for different spaces, both fashion and installation.
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| Left: My projections shown upon the Art School walls, Right: Loop pH: http://loop.ph/ |
Loop pH, ran by designer Rachel Wingfield, specialises in the construction of lightweight architectural sculptures, suited for large outdoor spaces. Their aim is to create 'visionary experiences and environments that can act as an interface between the familiar and the unknown' as well as creating public involvement with their pieces. The brand intend for their sculptures to be explored, touched and handled as a way of interaction through a space. Seeing the work of Loop pH, I have realised that I should expand upon my original contextual research, and look into larger scale pieces suitable for installation, diversifying my work toward different contexts.
